|
|
Exploding from Cover - Ruffled Grouse By Owen J. Gromme Lot #1 (Sale Order 1 of 130) Renowned Wildlife Artist Owen J. Gromme is recognized as the "Father of Birds in Art" this 29" x 22" signed print is number 268/850
|
|
|
Back Country Ruffs By David A. Maass Lot #2 (Sale Order 2 of 130) This 31" x 22" Signed print is # 473/580
David Maass' inspiring images of Upland Game Birds are considered some of the finest among Wildlife art he has been named Artist of the year by Ducks Unlimited and The National Wild Turkey Federation. |
|
|
New Snow - Ruffled Grouse by David Maass Lot #3 (Sale Order 3 of 130) This 25' x 22" signed print is # 210/850
David Maass' inspiring images of Upland Game Birds are considered some of the finest among Wildlife art he has been named Artist of the year by Ducks Unlimited and The National Wild Turkey Federation. |
|
|
Flurry of Blacks by Harry Curieux Adamson Lot #4 (Sale Order 4 of 130) This 22" x 30" signed print is # 370/580
Adamson is described by internationally famous wildlife artist David Maass as ?unsurpassed when it comes to portrayals of wildfowl on the wing in their natural surroundings.? Wildlife artist Owen Gromme says Adamson is simply ?one of the finest waterfowl artists in the world.? |
|
|
Trio of Bob White by Owen J. Gromme Lot #5 (Sale Order 5 of 130) This 22' x 24.5" signed print is # 302/850
Renowned Wildlife Artist Owen J. Gromme is recognized as the "Father of Birds in Art" |
|
|
Family of Swans by Gary Moss Lot #6 (Sale Order 6 of 130) This 22.5" x 29.5" signed print is #343/850
it has never been framed has a 1/4" dark spot on far left corner of print |
|
|
Trio of Canadas by Gary Moss Lot #7 (Sale Order 7 of 130) This 22" x 28" signed print is # 339/850
it has never been framed and is in Mint Condition |
|
|
Reelfoot Visitors at Middlefork Club - Mallards by David A. Maass Lot #8 (Sale Order 8 of 130) This 22" x 30" signed Print is # 167/850
This print has never been framed and is in mint condition It was published in 1979 by Wild WIngs & CO. of Lake City MN and David A. Maass of MN copyright in USA |
|
|
Charles and Emma Frye Art Museum Advertising Poster Lot #9 (Sale Order 9 of 130) Advertising Poster for Life in Alaska Fifty Stone Lithographs by Fred Machetanz
This 26" x 20" advertising poster is in mint consition and is dated 1979 |
|
|
Museum of Science & Natural History St. Louis, MO Poster for Maynard Reece exhibit Lot #10 (Sale Order 10 of 130) This 24" x 17" poster has never been framed
Exhibition dates Sept 27 to Nov 30, 1980 |
|
|
Southern Pines - Wild Turkey By: Owen J. Gromme Lot #11 (Sale Order 11 of 130) this 22" x 27 " signed print is # 193/850
Never Framed Mint Condition |
|
|
A Stately Pair - Mallards by Lee Le Blanc Lot #12 (Sale Order 12 of 130) This 22" x 29" signed print is # 460/580
Published in 1973 By Wild Wings Inc. and Lee Le Blanc Inc. This porint is in mint condition |
|
|
Corner Pocket - Pin Tail and Cinnamon Teal By Harry Curieux Adamson Lot #13 (Sale Order 13 of 130) This 22" x 30" signed print is #104/850
It has never been framed and is mint condition |
|
|
Advertising Poster for Museum of Science and Natural History St. Louis, MO for Robert Bateman Lot #14 (Sale Order 14 of 130) This 22" x 14 " Advertising poster for Robert Bateman Exhibit January 19 - March 16, 1980
Has two stains on bottom left corner |
|
|
Crossing the Divide by Frank McCarthy Lot #15 (Sale Order 15 of 130) This 22" x 17" signed print is # 1161/1500
McCarthy began his art career as a commercial illustrator, opening his own studio in 1948. He did illustrations for most of the paperback book publishers, magazines, including Colliers, Argosy, and True,[4] movie companies, and advertisements. |
|
|
Dust Stained Posse by Frank McCarthy Lot #16 (Sale Order 16 of 130) This 22.5" x 30.5" Signed print is # 798/1000
It has several small dark stains on the bottom of the print which could be covered by a frame McCarthy began his art career as a commercial illustrator, opening his own studio in 1948. He did illustrations for most of the paperback book publishers, magazines, including Colliers, Argosy, and True,[4] movie companies, and advertisements. Among McCarthy's film poster work were The Ten Commandments, Hatari!, The Great Escape, The Train, The Glory Guys, The Dirty Dozen, Dark of the Sun, Day of Anger, Once Upon a Time in the West, and in conjunction with Robert McGinnis Thunderball, You Only Live Twice and On Her Majesty's Secret Service, . McCarthy left the commercial art world in 1968 in order to concentrate on Western paintings. In 1975 he was invited to join the Cowboy Artists of America.[5] His 1972 painting "The Last Crossing" was used by The Marshall Tucker Band in 1976 for the cover of their fifth studio album, Long Hard Ride. He was inducted into the Society of Illustrators Hall of Fame in 1997. |
|
|
Polar Bear by Charles Frace' Lot #17 (Sale Order 17 of 130) This is a 14" x 10.5" Print
|
|
|
Cape Buffalo by Guy Coheleach Lot #18 (Sale Order 18 of 130) This is a 20" x 25" signed Print
Plate #2 Big Game Series His first trip to Africa was accomplished as a result of winning his division in the 1966 Winchester National Trap and Skeet Championship and he has returned to Africa between one and five times a year since then. Not content with skydiving and hunting Cape buffalo, Coheleach took his need for field experience to the extreme. In 1972 he was run down by an elephant in Zambia. This hair-raising film was seen on all three major networks at the time. "This is exactly the kind of knowledge that has made him one of the best wild animal painters in the world admired by both scientists and art critics,: says Pat Robertson in Sporting Classics. PBS featured him and his work in Africa entitled Journeys of an Artist. He was also the subject of two films: Guy Coheleach and the Bald Eagle and Quest: An Artist and His Prey. In addition, he has been the focus of articles in Reader's Digest, Saturday Evening Post, National Wildlife Magazine, and Audubon, as well as many other numerous regional art and wildlife magazines. His paintings have received the Society of Animal Artists' Award of Excellence[3] an extraordinary eight times, and he was awarded the prestigious Master Artist Medal[2] from the Leigh Yawkey Woodson Art Museum in 1983. In 2012 he received a Lifetime Achievement Award from the Society of Animal Artists. |
|
|
Koala Phascolarctos cinereus by CHarles Frace' Lot #19 (Sale Order 19 of 130) This This 29.5" x 24" Signed Print has never been framed and is in mint condition
|
|
|
Flurry of Blacks by Harry Curieux Adamson Lot #20 (Sale Order 20 of 130) This 22" x 30" signed print is # 371/580
Adamson is described by internationally famous wildlife artist David Maass as ?unsurpassed when it comes to portrayals of wildfowl on the wing in their natural surroundings.? Wildlife artist Owen Gromme says Adamson is simply ?one of the finest waterfowl artists in the world.? |
|
|
Morning Light on the Swan by Fred Fellows Lot #21 (Sale Order 21 of 130) This 32.5" x 26" signed print is # 261/1000
This print has never been framed and is in mint consition it also comes with a certificate of Authenticity |
|
|
Cheetah by Charles Frace' Lot #22 (Sale Order 22 of 130) This 23" x 29.5" Signed Print is in mint condition
|
|
|
Polar Bear by Charles Frace' Lot #23 (Sale Order 23 of 130) This 22" x 35" signed print is # 1963/2000 and is in mint condition never framed
|
|
|
The Solitary Hunter by Simon Combes Lot #24 (Sale Order 24 of 130) This 22" x 28" signed print is in mint condition
Simon Combes was an artist born in Shaftesbury, England. Residing most of his life in Kenya, Combes was well known for his paintings of African wildlife and dedication to conservation. |
|
|
Three Rams by Ken Carlson Lot #25 (Sale Order 25 of 130) This 16.5" 20" signed print is # 57/950
|
|
|
White Gyrfalcon by Guy Coheleach Lot #26 (Sale Order 26 of 130) This 26" x 19" signed print is in mint condition
|
|
|
Leopard's Lair by Guy Coheleach Lot #27 (Sale Order 27 of 130) This is a 15.5" x 25" signed print
Mint condition |
|
|
Cheetah Head by Guy Coheleach Lot #28 (Sale Order 28 of 130) This 20" x 15.5" signed print is in mint condition
|
|
|
Teton Friends by Paul Calle Lot #29 (Sale Order 29 of 130) This 24" x 30" signed print is # 409/950
American artist who was best known for the designs he created for postage stamps, including 40 that were released by the United States Postal Service, and others for stamps issued by the Federated States of Micronesia, the Marshall Islands, Sweden and the United Nations. The sole artist hired by NASA to cover the Apollo 11 astronauts up close, Calle designed the 10-cent stamp that commemorated the first manned moon landing; it depicted an astronaut stepping onto the moon from the lunar module, with the Earth visible over the moon's horizon |
|
|
The Resting Place by Douglas Van Howd Lot #30 (Sale Order 30 of 130) This 26" x 33" signed print is # 220/750
and includes a certificate of Authenticity. Born in Nevada, Douglas Van Howd is known for his highly realistic wildlife and western art sculpture and painting. He studied at the Art Center School in Southern California. During the Netherlands-American Bicentennial celebrations in Washington DC, his oil painting of Yellowstone Falls was presented to the Queen of the Netherlands. He has twice been received as a guest of the government of Taiwan to present his works to President Chiang Ching-Kuo and President Lee Teng-hui. The office of the Secretary of the Interior in Washington DC has his bald eagle, Masters of the Wind, and his portrait of Attorney General Edwin Meece hangs in the Hall of Justice. |
|
|
Wolf Pack By Guy Coheleach Lot #31 (Sale Order 31 of 130) This 20" x 26" Print is signed and in mint condition
|
|
|
Rio Grande Vigil by Ken Carlson Lot #32 (Sale Order 32 of 130) This 21.5" x 32" signed print is # 225/950 and is in mint condition never framed
|
|
|
Arizona Mountain Man by Donald V. Crowley Lot #33 (Sale Order 33 of 130) This 21" x 19" signed limited edition Print is # 1433/1500
|
|
|
Chinese Leopard by Guy Coheleach Lot #34 (Sale Order 34 of 130) This 20" x 16" signed print is in mint condition
|
|
|
Fluff and Stuff by Jean Vietor Lot #35 (Sale Order 35 of 130) This 13.5" x 17" signed print is in mint condition
|
|
|
Parasols and Tabletops series of 3 Prints by Jean Vietor Lot #36 (Sale Order 36 of 130) Parasols and Tabletops I
Parasols and Tabletops II Parasols and Tabletops II Each limited edition signed Print is 13" x 8.5" and each is numbered 786/1000 |
|
|
To Battle by Frank McCarthy Lot #37 (Sale Order 37 of 130) This 21" x 30" signed print is # 331/1000 and printed in 1978
This print has a few feint yellow marks along the border which would be covered by a mat or frame |
|
|
Siberian Tiger by Charles Frace' Lot #38 (Sale Order 38 of 130) This 27" x 33" signed print is #639 this lot also includes a small black and white print also titled Siberian Tiger it is 14" x 11" and has also been signed
|
|
|
Malamute by Tucker Smith Lot #39 (Sale Order 39 of 130) This 20.5" x 17" Signed print is # 887/1000
Mint condition |
|
|
Andrew at the Falls by Paul Calle Lot #40 (Sale Order 40 of 130) This 24" x 31.5" signed print is # 798/950
|
|
|
Chief High Pipe by Paul Calle Lot #41 (Sale Order 41 of 130) This 23" x 29" signed print is # 183/950
|
|
|
Fresh Tracks by Paul Calle Lot #42 (Sale Order 42 of 130) This 24" x 31" signed print is #158/950
|
|
|
Teton Friends by Paul Calle Lot #43 (Sale Order 43 of 130) This 24" x 30" signed print is # 408/950
|
|
|
Prayer to the Great Mystery by Paul Calle Lot #44 (Sale Order 44 of 130) This 25" x 32" signed print is # 576/950
|
|
|
Chance Encounter by Paul Calle Lot #45 (Sale Order 45 of 130) This 24.5" x 33.5" signed print is 671/950
|
|
|
And Still Miles to Go by Paul Calle Lot #46 (Sale Order 46 of 130) This 24.5" x 30" signed print is #158/950
|
|
|
Friends by Paul Calle Lot #47 (Sale Order 47 of 130) This 18.5" x 22" signed print is # 777/950
|
|
|
Strays from the Flyaway by Paul Calle Lot #48 (Sale Order 48 of 130) This 22.5" x 29" signed print is # 190/950
|
|
|
The Landmark Tree by Paul Calle Lot #49 (Sale Order 49 of 130) This 24.5" x 30.5" signed print is # 448/950
|
|
|
One with the Land by Paul Calle Lot #50 (Sale Order 50 of 130) This 24.5" x 36" signed print is #441/950
|
|
|
The Snow Hunter by Paul Calle Lot #51 (Sale Order 51 of 130) This 20" x 23.5" signed print is #698/950
|
|
|
View from the Heights by Paul Calle Lot #52 (Sale Order 52 of 130) This 25" x 32" signed print is # 580/950
|
|
|
Alert by Frank McCarthy Lot #53 (Sale Order 53 of 130) This signed 13.5"x 23" is # 332/1000 print is in mint condition
|
|
|
Race with the Hostiles by Frank McCarthey Lot #54 (Sale Order 54 of 130) This 15" x 26" signed print is 336/1000
|
|
|
White Tailed Deer by Guy Coheleach Lot #55 (Sale Order 55 of 130) This 20" x 25" signed Print is in Pristine Condition and is #221/1000
|
|
|
Rocky Mountain Chase by Guy Coheleach Lot #56 (Sale Order 56 of 130) This signed print is 19.5" x 24.5" and is number 1152
|
|
|
Mallards by Guy Coheleach Lot #57 (Sale Order 57 of 130) This 25.5" x 19.5" print is signed and is embossed RHA
|
|
|
Long Shadows by Guy Coheleach Lot #58 (Sale Order 58 of 130) This 15" x 25.5" signed print is # 780/850
|
|
|
Bengal Brace by Guy Coheleach Lot #59 (Sale Order 59 of 130) This 24" x 31" signed print is in mint condition
|
|
|
Clouded Siesta by Guy Coheleach Lot #60 (Sale Order 60 of 130) This 34.5" x 25" signed print is # 1154
|
|
|
Racc An' Ruin by Charles Harper Lot #61 (Sale Order 61 of 130) This 15.5 x 19.5" signed print is # 945/1500
A Cincinnati-based American Modernist, he was best known for his highly stylized works depicting wildlife. He studied at the Art Academy of Cincinnati, where he later taught as well. During his career, Harper illustrated numerous books and magazines, notably "The Golden Book of Biology". He also created many works for organizations such as the National Park Service, the Cincinnati Zoo, and Everglades National Park. |
|
|
Fox Smiles by Charles Harper Lot #62 (Sale Order 62 of 130) This 21.5" x 17.5" signed print is # 141/1500
A Cincinnati-based American Modernist, he was best known for his highly stylized works depicting wildlife. He studied at the Art Academy of Cincinnati, where he later taught as well. During his career, Harper illustrated numerous books and magazines, notably "The Golden Book of Biology". He also created many works for organizations such as the National Park Service, the Cincinnati Zoo, and Everglades National Park. |
|
|
Pot Luck by Charles Harper Lot #63 (Sale Order 63 of 130) This 25" x 10" print is signed by the artist and is # 1458/1500 and is in mint condition
|
|
|
Romance on the Richter Scale by Charles Harper Lot #64 (Sale Order 64 of 130) This 20" x 16.5" signed Print is #141/500
|
|
|
Bull of the Woods by Jim Harrison Lot #65 (Sale Order 65 of 130) This signed 18" x 21" print is # 1162/1500
Jim Harrison's journey as an artist seems to have begun when he first climbed onto a sign painter's scaffold on the side of McCartha's Hardware in Denmark, South Carolina. The Coca-Cola sign that he began that day with his mentor, J. J. Cornforth, was the first of more than 100 similar signs he painted over the next few years and shaped the future work of this South Carolinian in many ways. |
|
|
Hexit by Charles Harper Lot #66 (Sale Order 66 of 130) This signed 20" x 20" print is # 1024/1500
|
|
|
Pelican Pantry by Charles Harper Lot #67 (Sale Order 67 of 130) This 18" x 18" signed Print is # 141/1500
|
|
|
Shrine Circus by Jim Harrison Lot #68 (Sale Order 68 of 130) This 21" x 26.5" signed print is #1154/1500
Jim Harrison's journey as an artist seems to have begun when he first climbed onto a sign painter's scaffold on the side of McCartha's Hardware in Denmark, South Carolina. The Coca-Cola sign that he began that day with his mentor, J. J. Cornforth, was the first of more than 100 similar signs he painted over the next few years and shaped the future work of this South Carolinian in many ways. |
|
|
Armaditto by Charles Harper Lot #69 (Sale Order 69 of 130) This 16.5 x 16.5" signed print is # 141/1500
|
|
|
Windmill by Jim Harrison Lot #70 (Sale Order 70 of 130) This 22.25" x 20.5" signed print is # 1154/1500
|
|
|
Railroad Crossing by Jim Harrison Lot #71 (Sale Order 71 of 130) This 17.5" x 31" signed print is #1154/1500
|
|
|
7-Up and Black-eyed Susans by Jim Harrison Lot #72 (Sale Order 72 of 130) This 20" x 20" signed print is # 1162/1500
|
|
|
The Chase by Guy Coheleach Lot #73 (Sale Order 73 of 130) This 20" x 25" signed print has a small light yellow stain in the bottom left corner
|
|
|
Last Aphid by Charles Harper Lot #74 (Sale Order 74 of 130) This 19.5" x 19.5" signed print is # 141/1500
|
|
|
Tern Stones and Turnstones by Charles Harper Lot #75 (Sale Order 75 of 130) This 16" x 22" signed print is # 141/1500
|
|
|
Morning Glory Mule Deer by Nancy Glazier Lot #76 (Sale Order 76 of 130) This signed 18" x 21" print is 121/600
"I began oil painting at eight years of age. My grandmother responded to a child's yearning and took me through the golden doors of that first art supply store. I still remember that wonderful smell. Everything seemed to shine. Painting is the very breath of my life. I recognize it as a very precious gift from God. While I am painting, I feel complete, joyful powerful and free. While most wildlife artist's complete the entire canvas in great detail I choose to put all the detail in the faces of the animals I paint, because my emphasis is on portraying the mood and the moment in that particular animal's life. Each animal I paint is unique." - Nancy Glazier |
|
|
The Commissioner by Russ Vickers Lot #77 (Sale Order 77 of 130) This 6.5" x 14.5" signed print is # 370/950
Vickers was born in Paris, Texas, the son of a horse trader. He served in the Marines during World War II and worked as a combat artist during the Korean War. After his military service, Vickers worked as a technical illustrator for the aerospace industry in Los Angeles for twenty years. |
|
|
The Untamed Land Lot #78 (Sale Order 78 of 130) This 6.5" x 14" signed print is # 370/950
Vickers was born in Paris, Texas, the son of a horse trader. He served in the Marines during World War II and worked as a combat artist during the Korean War. After his military service, Vickers worked as a technical illustrator for the aerospace industry in Los Angeles for twenty years. |
|
|
White Breasted Nuthatch by Ray Harm Lot #79 (Sale Order 79 of 130) This 23.5" x 19" signed print is in mint condition
American artist, best known for his paintings of wildlife, primarily birds. He was also well known for art marketing and is generally credited as the co-creator of the limited edition art print market, which supplanted the traditional method where artists sold original works on an individual basis. Limited edition art prints are now the standard method of marketing paintings and similar works to the general public. |
|
|
Prickly Pair by Charles Harper Lot #80 (Sale Order 80 of 130) This 16" x 16" signed print is # 141/1500
|
|
|
The Story of the Rifles by Russ Vickers Lot #81 (Sale Order 81 of 130) This 16" x 19.5" signed print is # 114/950
|
|
|
Caring for the Herd by Paul Calle Lot #82 (Sale Order 82 of 130) This 21.5" x 28" signed print is # 771/950
|
|
|
High Camp at Dusk by Robert Bateman Lot #83 (Sale Order 83 of 130) This 24" x 36" signed print is #337/950
Robert Bateman?s realistic and evocative painting style reflects his deep understanding and appreciation for nature, featuring wildlife in its natural habitat and encouraging the viewer to closely observe the natural world. Besides being one of Canada?s foremost artists, he is also a naturalist recognized by the Audubon Society as one of the 20th century?s ?heroes of conservation?. He is a spokesman for many environmental and preservation issues, using his art to raise millions of dollars for these causes. |
|
|
Courtship Display by Robert Bateman Lot #84 (Sale Order 84 of 130) This 24" x 26 signed print is # 734/950
This print has some feint yellow marks on the bottom right |
|
|
Spring Marsh Pintail Pair by Robert Bateman Lot #85 (Sale Order 85 of 130) This 22" x 29" Signed print is # 223/950
|
|
|
In the Quiet of the Winter by Robert Lougheed Lot #86 (Sale Order 86 of 130) This 18" x 29" signed print is # 525/950
was a Canada-born American artist who has specialized in images of the American West. He was born and raised on a farm in Massey, Ontario, Canada. He became an illustrator for mail-order catalogues and for the Toronto Star, but studied in his spare time at the Ontario College of Art and then at the ...cole des Beaux-Arts de Montr...al. He went to New York City at the age of twenty-five as the pupil of Frank Vincent DuMond and Dean Cornwell at the Art Students League. However he continued to work as an illustrator for over 30 years and his work appeared in magazines such as National Geographic and Reader's Digest. Lougheed's work as a commercial artist included the Mobil Oil logo of the red flying horse. He explored the American West, particularly the old Bell Ranch in New Mexico, and many of his paintings were inspired by the scenery and animals of the region. Consequently, in 1970, he was commissioned by the United States Post Office Department to design the six-cent buffalo stamp for their Wildlife Conservation Series. Lougheed illustrated children's books such as the horse novels Mustang and San Domingo by Marguerite Henry and The Bell Ranch As I Knew It by George F. Ellis. He also illustrated books by Martha Downer Ellis, about the Bell Ranch, NM including Bell Ranch Sketches, Bell Ranch People and Places and Bell Ranch Recollections. He won multiple awards at both the National Academy of Western Art and the Cowboy Artists of America. Some of his work is in the Cowboy Hall of Fame in Oklahoma City, Oklahoma. Robert Lougheed's interest in art extended to founding of the National Academy of Art at the National Cowboy Hall of Fame. He continued to serve as an advisor to the academy for many years. He also worked voluntarily as a teacher to many young painters. Outside of art, Lougheed was an avid tournament badminton player who won a number of regional and Connecticut state doubles titles. |
|
|
Down Wind by Richard Luce Lot #87 (Sale Order 87 of 130) This 20" x 38" signed print is # 175/975
Born and raised in Yonkers, NY this artist of Italian descent has devoted his life to portraying the history he loves. A professional artist for over 30 years, his subject matter has varied little from his primary interest, the American west. After graduating with a degree in commercial art from Dutchess Community College in Poughkeepsie, NY where he learned the basics of composition, color and design, he worked for a publishing co. in Manhattan as an assistant art director. During that time he started developing his artistic style while painting in the evenings. After experimenting with different subjects his love of the American West won out. He states ?When I was young the paintings I most admired were those of Frederic Remington and I still get a chill when I stand in front of one?. Painting Western subjects comes naturally to this artist. His interest and fascination with American Indians with their free roaming way of life and strong family structure has enabled him to produce paintings of unequaled excellence. He started selling his paintings in the early 70?s through the Douglas Gallery in Stamford, CT. During that time he developed quite a following which encouraged him to make the big decision to quit his job and to paint full time. He soon started to travel the west to see it all first hand. Hiking in the back country of California, Wyoming, Utah, Colorado, Montana, Alaska and Canada in all weather conditions he was able to observe nature at its best. His paintings reflect his hands on knowledge as he always strives for authenticity in his work. Many collectors have commented that his snow feels cold and his water feels wet and they can sense the different textures he paints whether they are hard stone or a soft feather. |
|
|
Eagle Feathers by Donald V. Crowley Lot #88 (Sale Order 88 of 130) This 21" x 24" signed print is # 1077/1500
Known for his realistic depiction of Indian figures, Donald Crowley was born in Redlands and raised in Santa Ana, California from the time he was ten years old. He showed art talent from childhood. Of his personal feelings about art expression, he said: "Art is like sex. It's something that you do; not something that you talk about." |
|
|
Chief High Pipe by Paul Calle Lot #89 (Sale Order 89 of 130) This 24.5 x 32" signed print is # 709/950
|
|
|
Beaver Men by Frank McCarthy Lot #90 (Sale Order 90 of 130) This 18.5" x 26" signed Print is # 344/600
|
|
|
Lion Head By Guy Coheleach Lot #91 (Sale Order 91 of 130) This 20" x 15.5" signed print is in mint condition
|
|
|
Snow Moon by Frank McCarthy Lot #92 (Sale Order 92 of 130) This 22" x 31" signed print is # 25/1000
|
|
|
Bachelor Pair by Guy Coheleach Lot #93 (Sale Order 93 of 130) This signed 24" x 32" print is #989/1000
|
|
|
The Scouts by Richard Luce Lot #94 (Sale Order 94 of 130) This 24" x 36" signed print is # 176/975
|
|
|
Priming the Piece by Richard Luce Lot #95 (Sale Order 95 of 130) This 32 24" signed print is # 975
|
|
|
The Last Crossing by Richard Luce Lot #96 (Sale Order 96 of 130) This 24" x 34" signed print is # 975
|
|
|
Breaking the Skyline by Richard Luce Lot #97 (Sale Order 97 of 130) This signed 21 x 35 limited edition print is # 975
|
|
|
Return to Her People Lot #98 (Sale Order 98 of 130) This signed limited edition print is 16 x 19.5 is # 114/950
|
|
|
When Game is Scarce by Russ Vickers Lot #99 (Sale Order 99 of 130) This signed Print is 16.5" x 19.5" and is #114/950
|
|
|
Attack by Russ Vickers Lot #100 (Sale Order 100 of 130) This limited edition print is 15.5" x 19.5" and is # 115/950
|
|
|
Apache Arrow by Russ Vickers Lot #101 (Sale Order 101 of 130) This signed limited edition print is 18.5 x 25" and is # 97/950
|
|
|
Unnamed print by J. Velasquez Circa 1979 Lot #102 (Sale Order 102 of 130) This signed limited edition print is 25.5 x 19.5 and it # 159/450
|
|
|
Run for the River by Russ Vickers Lot #103 (Sale Order 103 of 130) This 19" x 32" signed limited edition print is # 114/950
|
|
|
Knock Knock by Jean Vietor Lot #104 (Sale Order 104 of 130) This signed limited edition print is 19" x 24" and is # 786/1000
|
|
|
On the Warpath by Frank McCarthy Lot #105 (Sale Order 105 of 130) This this signed limited edition print is 15" x 20" and is # 110/1000
|
|
|
World of Wonder by Jean Vietor Lot #106 (Sale Order 106 of 130) This signed limited edition print is 19" x 26" and is # 786/1000
|
|
|
A touch of Blush by Jean Vietor Lot #107 (Sale Order 107 of 130) This 19" x 24" signed limited edition print is 786/1000
|
|
|
Oh Red Bird by Jean Veitor Lot #108 (Sale Order 108 of 130) This signed limited edition print is 19" x 24" and is 786/1000
|
|
|
Deer Watcher by Jean Veitor Lot #109 (Sale Order 109 of 130) This limited edition signed print is 27 x 21" and is # 786/1000
|
|
|
Wagon Guide by J. Velazquez Lot #110 (Sale Order 110 of 130) This signed limited edition print is 29" x 19" and is # 160/450
|
|
|
Movin Out by J. Velazquez Lot #111 (Sale Order 111 of 130) This 18" x 31" signed limited edition print is # 158/450
|
|
|
The Traders by J. Velazquez Lot #112 (Sale Order 112 of 130) This signed limited edition print is 21.5 x 23" and is # 160/450
|
|
|
Trapper's Quest by J. Velazquez Lot #113 (Sale Order 113 of 130) This signed limited edition print is 25" x 20" and is # 160/450
|
|
|
Mountain Man by J. Velazquez Lot #114 (Sale Order 114 of 130) This 24" x 20" signed limited edition print is # 158/450
|
|
|
J. Velazquez Lot #115 (Sale Order 115 of 130) This signed limited edition print is 21 x 31" print is #158/450
|
|
|
Raccoon...Sequel by Jean Vietor Lot #116 (Sale Order 116 of 130) This signed limited edition 19 x 24" print is # 786/1000
|
|
|
Coffee Break by James Reynolds Lot #117 (Sale Order 117 of 130) This 23" x 31" signed limited edition print is # 138/950
|
|
|
Vines and Finds by Jean Vietor Lot #118 (Sale Order 118 of 130) This signed limited edition print is 32" x 19 is # 786/1000
|
|
|
The Beef Ration by Russ Vickers Lot #119 (Sale Order 119 of 130) This 7" x 15" signed limited edition print is # 370/950
|
|
|
Barn Cat by Tucker Smith Lot #120 (Sale Order 120 of 130) This 15" x 21" signed limited edition print is 359/1000
|
|
|
Back Bay Gunner by Joe Seme Lot #121 (Sale Order 121 of 130) This signed limited edition print is 25" x 20" and is # 174/450
|
|
|
The Navajo Daily Word by Ray Swanson Lot #122 (Sale Order 122 of 130) This limited edition signed print is 32" x 24" and is 142/750
|
|
|
Storm over Laredo by Gary Swansen Lot #123 (Sale Order 123 of 130) This signed limited edition print is 23" x 28" and is # 301/450
|
|
|
Good Morning Mallards by Maynard Reece Lot #124 (Sale Order 124 of 130) This signed limited editio print is 24" x 33" and is # 386/950
|
|
|
Old Man and the Canyon by Ray Swanson Lot #125 (Sale Order 125 of 130) This signed limited edition print is 32" x 24" and is # 188/750
|
|
|
Born Too Early by James Reynolds Lot #126 (Sale Order 126 of 130) This limited edition signed print is 23" x 30" and is # 338/950
|
|
|
Night Crossing by Frank McCarthey Lot #127 (Sale Order 127 of 130) This limited edition signed print is 13" x 22" and is # 98/1000
|
|
|
The Fording by Frank McCarthy Lot #128 (Sale Order 128 of 130) This limited edition signed print is 17" x 30" and is # 336/1000
|
|
|
Breaking Camp by Don Stivers Lot #129 (Sale Order 129 of 130) This limited edition signed print is 23" x 26" and is # 347/1000
|
|
|
Hurry and Wait by Don Stivers Lot #130 (Sale Order 130 of 130) This signed limited edition print is 20" x 31" and is # 348/500
|
|